图片尺寸：3142 × 3820 像素
作品名称：Self-Portrait
创作者：文森特·梵高 Vincent van Gogh
创作年代：1889
风格：后印象派
体裁：自画像
材质：布面油画
现位于：Musée d’Orsay, Paris, France
实际尺寸：65 x 54 cm
版权信息：Public Domain（公有領域）
作品介绍
机器翻译：
像伦勃朗和戈雅一样，文森特-凡高经常以自己为模特；他在十年内创作了超过四十三幅自画像、绘画或素描。像那些古老的大师们一样，他对着镜子批判地观察自己。画自己不是一种无害的行为：这是一种质疑，常常导致身份危机。
因此，他写信给他的妹妹。“我正在寻找一种比摄影师获得的更深刻的相似性”。后来又写给他的兄弟。“人们说，而且我也愿意相信，要了解自己是很难的。但要画出自己也不容易。伦勃朗所画的肖像画不仅仅是对自然的看法，它们更像是一种启示”。
在这幅头部和肩部的作品中，艺术家穿着西装，而不是他平时工作时穿的豆皮夹克。注意力集中在脸上。他的五官坚硬而憔悴，他的绿边眼睛显得顽固而焦急。主色调是苦艾绿和淡绿松石的混合色，在其互补色–胡须和头发的火橙色–中找到了一个对立面。模特的不动声色与起伏的头发和胡须形成对比，在背景的幻觉阿拉伯式图案中得到了呼应和放大。
原文：
Like Rembrandt and Goya, Vincent van Gogh often used himself as a model; he produced over forty-three self-portraits, paintings or drawings in ten years. Like the old masters, he observed himself critically in a mirror. Painting oneself is not an innocuous act: it is a questioning which often leads to an identity crisis.
Thus he wrote to his sister: “I am looking for a deeper likeness than that obtained by a photographer.” And later to his brother: “People say, and I am willing to believe it, that it is hard to know yourself. But it is not easy to paint yourself, either. The portraits painted by Rembrandt are more than a view of nature, they are more like a revelation”.
In this head-and-shoulders view, the artist is wearing a suit and not the pea jacket he usually worked in. Attention is focused on the face. His features are hard and emaciated, his green-rimmed eyes seem intransigent and anxious. The dominant colour, a mix of absinth green and pale turquoise finds a counterpoint in its complementary colour, the fiery orange of the beard and hair. The model’s immobility contrasts with the undulating hair and beard, echoed and amplified in the hallucinatory arabesques of the background.
