图片尺寸：6329 × 7885 像素
作品名称：The Kiss
创作者：弗朗西斯科·海耶兹 Francesco Hayez
创作年代：1859
风格：浪漫主义
体裁：风俗画
材质：布面油画
现位于：Palazzo Brera, Milan, Italy
版权信息：Public Domain（公有領域）
实际尺寸：90 x 112 cm
作品介绍
机器翻译：
弗朗西斯科·海耶兹的《吻》描绘了一对来自中世纪的情侣，他们一边拥抱一边亲吻对方。
女孩向后倾倒，而男人则弯曲左腿支撑着她，同时将一只脚放在旁边的台阶上，仿佛随时准备离开。
画作中心的这对夫妇的面部特征并不明显。海兹希望接吻的动作处于构图的中心。
在画布的左侧，朦胧的形式潜伏在角落里，强调了阴谋和危险的印象。
这幅画传达了意大利浪漫主义的主要方面，并代表了19世纪意大利统一的精神。
这幅画的视角设置在一系列的对角线上。这些对角线沿着台阶的走向，汇聚到位于两位恋人左侧的消失点上。
这些线条代表了这幅画的框架，并将观察者的注意力引向这对夫妇。
斗篷的浓郁棕色和男子紧身衣的红色与女孩衣服的浅蓝色相融合，而背景的中性色彩帮助这对夫妇脱颖而出。
来自画面左侧的光线也突出了这对夫妇。它的反射也加强了女孩的丝质裙子，强调了人行道和墙上的砖块。
原文：
“The Kiss” by Francesco Hayez depicts a couple from the Middle Ages, embracing while they kiss each other.
The girl leans backward, while the man bends his left leg to support her, simultaneously placing a foot on the step next to him as though poised to go at any moment.
The facial features of the couple at the center of the painting are not visible. Hayez wanted the action of the kissing to be at the center of the composition.
In the left part of the canvas, shadowy forms lurk in the corner, emphasizing an impression of conspiracy and danger.
This painting conveys the main aspects of Italian Romanticism and has come to represent the spirit of Italian unification in the 19th century.
The perspective in this painting is set on a series of diagonals. The diagonals follow the course of the steps and converge to the vanishing point, placed to the left of the two lovers.
These lines represent the framework of the painting and bring the observer’s attention to the couple.
The rich brown of the cloak and the red of the man’s tights blend with the light blue in the dress of the girl, while the neutral colors of the background help the couple stand out.
A light, coming from the left of the picture also highlights the couple. Its reflections also enhance the silky dress of the girl, emphasizing the pavement and the bricks on the wall.（出处）
